However I prefer the sharper elements of image number 6 of the Panning series,the car being sharper and the blurred background and wheels give a better feeling of the motion. Not really speed, but the fact it is a moving car and not a static object. The kind of combination that would be ideals for photographing motor sport, particularly on a bend so the vehicle can be followed through and captured on the apex and the follow throgh allows the photographer to follow a natural curved movement. Which is a lot easier then trying to capture the image going directly across the field of view
Sunday, 25 March 2012
Shutter Speeds:Summary
However I prefer the sharper elements of image number 6 of the Panning series,the car being sharper and the blurred background and wheels give a better feeling of the motion. Not really speed, but the fact it is a moving car and not a static object. The kind of combination that would be ideals for photographing motor sport, particularly on a bend so the vehicle can be followed through and captured on the apex and the follow throgh allows the photographer to follow a natural curved movement. Which is a lot easier then trying to capture the image going directly across the field of view
Monday, 6 February 2012
Shutter Speeds
Movement needs to move across the field of view, while the camera is in a fixed position.
It requires a series of exposures that starts with the fastest shutter speed to the slowest possible exposure.
The notes do say to go as low as one or two seconds, but unfortunately I couldn't go as slow as that with my chosen subject. Also there was a need to keep the aperture similar to the range used for the exercise using different apertures in this case with the lens I was using it ranged from f4.0 to f22.
I noted that Image 6: at a speed of 1/160 and f4.0 is the last point at which clearly defined movement can be seen and the following images all start to develop blurring with an equivalent loss of detail until Image 12, where the lack of details starts to become a distinct feature.
All speeds of the water in movement have been captured here , even down to the distinct droplets of water flying up as the water breaks over the weir. The feeling of the speed of the flow is accurately recorded with a lot of clarity. I personally find this to be a quite clinical and sterile image which "records" a frozen point in time.
Image 2:1/1600 sec at f/4.0
As in Image 1: movement has been captured but there is also a lot more detail in the shadow areas as more exposure has taken place.
Image 3:1/800 sec at f/4.0
As above there is still distinct details but now the highlight areas do not appear retain as much and what were distinct small individual droplets appear to be merging into larger ones.
Image 4:1/640 sec at f/4.0
Detail in highlights and shadows is not as distinct, but there is still clear distinction between moving and none moving water.
Image 5:1/320 sec at f/4.0
Less distinct than the previous 4 images but the faster movement can still be clearly seen, but some shadow detail is tarting to merge.
Image 6:1/160sec at f/4.0
This appears to be just retaining the last of the detail in highlight and shadow areas. Overall exposure and details is good and clear with out being as "sterile" as Image 1:. Less of a feeling of simply recording the event.
Image 7:1/80 sec at f/5.6
Slightly more detail in general with the improvement in depth of field, but the start of distinct blurring in the highlight/faster moving areas.
Image 8:1/40 sec at f/8.0
Yet again another increase in depth of filed, but the blurring is now very clear in highlight and shadow areas. there is still some detail in the slower moving water but in general there is not a great deal of detail in any moving area.
Image 9:1/20 sec at f/11
There is very distinct blurring of the highlight/faster areas with some of the shadow/slower areas starting to take on a more "sculptural" quality.
Image 10:1/13 sec at f/14
We are starting to lose all detail in slower/shadow area now and the effect is starting to become very pleasing in a the movement becomes blurred and carries more of a suggestion of speed rather than a true representation of it.
Image 11:1/8 sec at f/18
Even with the increased depth of field detail is now almost lost as the sensor overlays all the information from the higlight/faster and shadow/slower moving water. The blurring creates even more of a suggestion of movement and creates an interesting effect.
Saturday, 12 February 2011
Project:Focus - Different Apertures
The aim of this exercise is to determine the effect of different apertures on the same scene.
I have tried several images for this exercise, but so far due to the flat overcast February light it has been hard to get the modelling required to clear define the areas of focus. These so far are the best set with a good clearly delinated areas of focus.
I tried to keep the same exposure, by using aperture priority, for each shot but once again was cursed by the changeable weather and light levels. Even using a tripod I wasn't quick enough as the clouds kept drifting across the sun... again and again...
I used the 50mm lens for this due to it's very wide range of f/stops from 1.4 to 22.
Image 1 clearly shows the small area of focus (marked within the yellow lines) with the fall off towards the lens clear in the lack of sharpness in the grass at the foot of the picture.
Image 2 shows how by moving to the middle of the available f/stop range that the area of focus has increased. Focus is improved towards the edges and corners but it is still clear that there are still areas where sharpness starts to degrade and makes it difficult to define separate blades of grass on the lower limit of the image.
Image 3. was taken using the limit of the range, in this case f/22. It can be clearly seen that even towards the edge of the image all details can be clearly seen and separate blades of grass are evident on the bottom edge of the image.